Bravo Music everthing for string player
ÍÕàÁÅì: ÃËÑʼèÒ¹:
ÊÁѤÃÊÁÒªÔ¡ | Å×ÁÃËÑʼèÒ¹

à¢éÒÃкº | Å×ÁÃËÑʼèÒ¹ | ÊÁѤÃÊÁÒªÔ¡ | â»ÃâÁªÑè¹ | ÇÔ¸Õ¡ÒÃÊÑ觫×éÍÊÔ¹¤éÒ | ÇÔ¸Õ¡ÒêÓÃÐà§Ô¹| ÇÔ¸Õ¡ÒÃÊè§ÊÔ¹¤éÒ| Êè§àÇçºãËéà¾×è͹ | ¡ÒÃàÅ×Í¡«×éÍäÇâÍÅÔ¹ | ¤ÙèÁ×Í¡ÒÃàÅ×Í¡ÊÒÂäÇâÍÅÔ¹ | â¤Ã§ÊÃéÒ§äÇâÍÅÔ¹ | ¡ÒôÙáÅÃÑ¡ÉÒäÇâÍÅÔ¹ | ¡ÒûÃѺáµè§à¤Ã×èͧ´¹µÃÕ | ãºÃѺÃͧµÑÇá·¹¨Ó˹èÒ | àªèÒâÇâÍÅÔ¹ & àªÅâÅ | àÃÕ¹äÇâÍÅÔ¹ & àªÅâÅ | ¡ÒÃàÅ×Í¡¢¹Ò´à¤Ã×èͧ´¹µÃÕ | ¡ÒúÃÔ¡ÒÃËÅѧ¡ÒâÒ | Vegan Bow | ÈѾ·ìà¤Ã×èͧàÊÕ§ | µÙéáÍÁ»ì¤ÅÒʵèÒ§æ | ¡ÕµéÒÃìâ»Ã觷çµèÒ§æ | äÇâÍÅÔ¹·Ã§µèÒ§æ | ¢éʹբͧ¡Òë×éÍäÇâÍÅÔ¹·ÕèÃéÒ¹àÃÒ | ¤ÃÙÊ͹äÇâÍÅÔ¹&àªÅâÅ·ÕèºéÒ¹ | ᨡâ¹êµà¾Å§¿ÃÕ

    English µÐ¡ÃéÒÊÔ¹¤éÒ ÃÒ¡ÒÃ
¤é¹ËÒÊÔ¹¤éÒ:
Share on
¡ÅØèÁÊÔ¹¤éÒ
 

àÁ¹ÙËÅÑ¡
à¢éÒÃкº
Å×ÁÃËÑʼèÒ¹
ÊÁѤÃÊÁÒªÔ¡
â»ÃâÁªÑè¹
ÇÔ¸Õ¡ÒÃÊÑ觫×éÍÊÔ¹¤éÒ
ÇÔ¸Õ¡ÒêÓÃÐà§Ô¹
ÇÔ¸Õ¡ÒÃÊè§ÊÔ¹¤éÒ
Êè§àÇçºãËéà¾×è͹
à¤Åç´ÅѺ¡ÒÃàÅ×Í¡«×éÍ
 

   
   
   
   

 

ชมรมดับเบิ้ลเบสไทย
บริการวงดนตรีสำหรับงานวิวาห์และงานโอกาสต่างๆ
ªÁÃÁ´¹µÃÕ
ËéͧÍÑ´àÊÕ§ BM Recording Studio ËéͧºÑ¹·Ö¡àÊÕ§¤Ø³ÀÒ¾´Õ
 

ÇÔâÍÅÒ Paolo Vettori ·Ã§ Mantegazza 1790 ¢¹Ò´ 40.8
ÂÕèËéÍ: Paolo Vettori ÃËÑÊ: VA7005

ÇÔâÍÅÒ Paolo Vettori ·Ã§ Mantegazza 1790 ¢¹Ò´ 40.8
Top: Old Italian Spruce
Back & Side: Old Italian Maple
Formula Stefanini Varnish

Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%


ÃÒ¤Ò : 900,000





ÊÔ¹¤éÒ·Õèá¹Ð¹Ó
ÃͧäËÅèÇÔâÍÅÒ·Ó¨Ò¡äÁé HBO
ÂÕèËéÍ: HBO
ÃËÑÊ: ASVA01
ÃÒ¤Ò : 0
·ÕèÃͧäËÅèÇÔâÍÅÒ Kun ÃØè¹ Bravo Collapsible ¾Ñºä´é ¢¹Ò´ 15-16 ¹ÔéÇ
ÂÕèËéÍ: Kun
ÃËÑÊ: ASVA11
ÃÒ¤Ò : 4,667
ÊèǹŴ : 555 (12%)
ÃÒ¤Ò¢ÒÂ :
4,112
¤Ñ¹ªÑ¡ÇÔâÍÅÒäÁéºÃÒ«ÔÅ
ÂÕèËéÍ: Jean Francois Noel
ÃËÑÊ: BVA20
ÃÒ¤Ò : 3,000
ÊèǹŴ : 500 (17%)
ÃÒ¤Ò¢ÒÂ :
2,500
ÊÒ G ÇÔâÍÅèÒ Subdominant ¢¹Ò´ 15-16 ¹ÔéÇ
ÂÕèËéÍ: Subdominant
ÃËÑÊ: SVA018
ÃÒ¤Ò : 106
ÊèǹŴ : 11 (10%)
ÃÒ¤Ò¢ÒÂ :
95
¹éÓÂÒ·Ó¤ÇÒÁÊÐÍÒ´âÅËÐà¤Å×ͺÂÒÁÒÎèÒ
ÂÕèËéÍ: YAMAHA
ÃËÑÊ: ACP014
ÃÒ¤Ò : 220
¤Ñ¹ªÑ¡äÇâÍÅÒäÁéºÃÒ«ÔÅ¢¹Ò´ÁÒµÃÒ°Ò¹
ÂÕèËéÍ: Bravisimo
ÃËÑÊ: BVA15
ÃÒ¤Ò : 2,500
äÁéµÕ¡Åͧ·ÔÁ»Ò¹Õ Vic Firth ÃØè¹ T3
ÂÕèËéÍ: Vic Firth
ÃËÑÊ: TMT3
ÃÒ¤Ò : 1,500
¡ÅèͧÇÔâÍÅÒ PC XY Style ÊÕ Black Lazure ¢¹Ò´ 16 ¹ÔéÇ
ÂÕèËéÍ: Bravisimo
ÃËÑÊ: CVA011
ÃÒ¤Ò : 5,000
ÊèǹŴ : 500 (10%)
ÃÒ¤Ò¢ÒÂ :
4,500
 

Copyright 2006 www.bravomusic.co.th all rights reserved.